Once again hit by the uncertainty of my future, I am not writing on time. However, despite my particular circumstances, I still have things to talk about at least for the near future. In fact, once school does start, I may get myself in a far more regular routine, compelling me to be more consistent as a whole, thus including my reviews of anime and manga.
And speaking of manga, what happened? Seriously, go check out Shonen Sunday and Sig Ikki. Are we seriously considering serialization of translated print manga for the internet? This could be huge, especially since Viz has the rights to publish Rin-Ne in English at the same time as the Japanese version. We'll see how this really goes down as I think this is massively ambitious, considering that they just lost their Shojo Beat magazine. In any case, it's something to keep an eye on.
Moving on!
Tsubasa Reservoir Chronicle (52 Episodes)
Animation: ****
Story: ***
Music: *****
Overal: ***
The idea of a CLAMP manga getting an anime adaptation is certainly not something new by now, but the results seem to vary, at least for me. While I am a fan of how Card Captor Sakura and the X Movie turned out, I felt that Magic Knight Rayearth took a real weird turn at the end that really makes me wish they could have taken the manga ending instead. (I still have yet to see Chobits, xxxHolic, or Angelic Layer, though I have high hopes for the last one; it's Studio Bones after all.) So now we come to Tsubasa's adaptation.
To begin, I absolutely love the manga series. As derivative as it is, CLAMP has done some pretty inventive and exciting things with this bizarre spin on their own works. So when I decided to sit down and watch the anime, I had some pretty high expectations. While there were some highlights, I must say that I felt ultimately disappointed.
To be fair, the animation does the series justice, painting lush atmospheres and locales that set the characters where they belong. However, for an action series, the actual battles occasionally seemed stilted and unnatural, quite often satisfied with slowly panning dynamic poses and relying on flashes of light and other still pictures for the blows, and not really bothering to animate much. It's the same kind of things I found in the King of Bandits Jing series.
I also have a few problems with how the story was told. I thought that drawing from such a great manga as its source material, there would be nothing to fear, but there certainly is room for some improvement. For starters, there several moments when the show is simply satisfied with needless camera panning. It will move from one picture to another, with nothing being said or done, as if the director is simply trying to stall for time. I remember that frequently the end of an episode would simply drag on, providing nothing new to the plot or action. I guess I could label it as faulty and uneven pacing, as this was evidenced throughout the whole series. While the story arcs based on the manga are fun, the filler stories start to creep in by the end of the second series and I really get the impression that the writers couldn't come up with something new. It felt like I was being told the same story they told in the first season.
A bit of a spoiler, but the series essentially ends as a cliff-hanger. The main objective doesn't get solved by the end, but what could the animators do when the manga hadn't finished yet? At least there's room to add on (and they have with OAVs).
However, there is one bright, shining star in Tsubasa, and that's the music. This has got to be one of the most original and epic soundtracks I have ever heard. It's like a subway sandwich with a bit of everything and it tastes great because of the variety inside it. You get some techno-driven ethnic drums combined with a great sounding choir and a serious infusion of jazz. While you get the basic variety of soft pieces and action pieces, it never really loses that bizarreness, helping set the scene for Tsubasa's varied locations. However, having the music as the best part of the series can be both a good thing and a bad thing.
I guess I would recommend this series to those who haven't read the manga yet as a kind of teaser for the manga series. The anime really does nothing to add to the story or it's dramatic questions, but rather seem satisfied with giving the manga some color and an impressive soundtrack, followed by tacking on some rather pointless stories. As a whole, it's decent, but forgettable. As I've said before, I'm critical of anime adaptations the first time through, but even so, I feel no incentive to re-watch the series when I can just re-read the manga.
Eden of the East (11 Episodes)
Animation: *****
Story: ****
Music: ***
Overall: ****
Ever wonder what Lost might be like as an anime? Okay, I've never actually seen an episode of Lost, but I think I'd feel the same way I felt about Eden of the East: confused, but enjoying the ride.
The show begins with Saki Morimi on a trip from Japan to Washington D.C. when she suddenly meets with a completely naked man who is carrying a gun, a bizarre cell phone, and has completely lost his memories until just a few minutes ago. She gives him coat only to realize that her passport is still in it, so she ends up chasing him down to his apartment. In the meantime, the guy looks into his cell phone and learns that he can contact a certain person named Juiz who can grant any wish he desires. He gets back to what seems to be his apartment and finds a small armory as well as several different passports for different identities. He takes the one named Akira Takizawa and decides to burn everything else. He runs into the girl and the two of them decide to go back to Japan together, only to learn that Japan has been hit with missiles (suffering no casualties, strangely enough).
Before long, Akira learns he is a Selecao, one of twelve people chosen to help “save Japan,” whatever that may mean to these individuals. Each of them were given a cell-phone and ten billion yen for their task, the money spent for their demands to Juiz. However, one of the twelve is called the Supporter who has the right to kill any of the other members if the Supporter feels like they aren't doing their job.
All of this conspiracy-like head twisting gets further complicated by the current economics of Japan and the concept of NEETs, people who currently aren't employed, in education or training of some kind; I guess there are quite a few of them in Japan. Saki happens to one who, with a few other people, created the namesake of the series: a bizarre internet program that sort of combines Google maps with a forum. This allows people, for example, to hold up a cell phone camera and the video screen with suddenly get pop-up information for the various locations or people you may be looking at.
In short, the story's pretty convoluted, an impressive feat for only having eleven episodes. To be honest, there are still a few things that still aren't clear me, perhaps a downside of fansubs. I'm hoping now that FUNimation has the rights to the series, they'll make a dub that'll make things fit together a little better. Of course, there are still a pair of movies yet to come out to finish all the loose ends, but those are a little harder to fansub, I believe. I'll just have to be patient.
The animation is pretty slick, but that's to be expected from Production I.G. Still it's pretty neat to see how they made the characters interact with their hyper-realistic environments. The music is alright, the highlight being that the opening is actually from the band Oasis. Has that been done before: a popular western artist having a song for the opening of an anime?
As I said before, it's confusing, but a fun ride that will make you smile more than once. With all of the dark and creepy cloak-and-dagger moments you get an instantly lovable cast of realistically goofy characters. At times you'll wish the series would decide if it's a shojo manga or a Bourne rip-off (they actually allude to it in the series!), but it certainly isn't one people should miss out on.
Gun Blaze West (3 Volumes)
Rating: **
To say that I like Nobuhiro Watsuki is an understatement. I seriously consider Rurouni Kenshin to be the greatest Japanese comic ever made. It's a great epic story with great characters, great pacing, and a good sense of action. However, since then, his works have been lacking. Gun Blaze West was his next attempt and, given some of Watsuki's liner notes, you can tell that things weren't going well from the start.
Gun Blaze West basically takes the standard Shonen action/adventure formula and plugs it into a wild west setting. You get a spunky hero with unlimited potential, a mentor to help him get started, a pair of companions to keep him in check, and a cast of villains and opponents to test his strength against. The fact that all of this takes place in the wild west quickly becomes its best quality. Instead of martial arts or chi blasts, you get guns and some good old-fashioned brawling.
The story kills out just as things really get going and the point of Gun Blaze West is made fairly clear. Apparently the series got canceled rather quickly, but Watsuki blames himself for this as he explains that he was doing everything by the seat of his pants and with a bad illness on top of that. To be honest, I don't know if we miss much. While the idea of Naruto with a six-shooter may seem appealing (and Watsuki did have some pretty interesting character designs along the way), it's clear that he's done better work. He lost the decent pacing that he had (a problem that I think he continued with Buso Renkin; that series moves way too fast for its own good) and his characters don't have the fresh chemistry between each other like in Kenshin.
Simply a sputter of bland story-telling that looks rather pretty, I think I can only recommend this to Watsuki fans like myself and anyone who is curious about a Japanese perspective of Western Films.
Ended on a bit of a downer, didn't I? Oh well, not everything in otaku-dom can be warm-fuzzies and robots. I'm not sure when I'll get the next article up, but I'm fairly certain that I'll have Kurokami and Full Metal Panic! Fumoffu finished by then. I've also got Revolutionary Girl Utena almost finished and a few other short manga series on my list, so I can only blame myself for not getting things posted.
Just as an after-thought, is anyone else getting a bit overwhelmed by all of the anime and manga that's hitting the web? I brought up Viz's manga sites earlier, but when I look over FUNimation's video portal or CrunchyRoll, the number of titles available on those sites is absolutely baffling. Anime is hitting the internet hard and I think we need to be right there with them so they don't regret all of the efforts they've made.
Showing posts with label Funimation. Show all posts
Showing posts with label Funimation. Show all posts
7.27.2009
Missed A Week, But I'm Back! Tenchi, Hyakko, Fruits Basket
Waagh! Sorry I'm late! I had a really apathetic week last week and things got kind of bad. I even had this article planned in my head and I just decided not to write it. I'm going to blame hayfever. It's a good scapegoat. In any case, no more excuses. I can do this! So here we go.
Tenchi Muyo! Ryo-Ohki OVA Set 3 (7 Episodes)
Animation: ****
Story: ****
Music: ***
Overall: ***
The Tenchi franchise is about as old as the hills now and the formula is pretty much the same here, just simply picking up where the first two sets of OVAs left off. Tenchi, in his house filled with hot alien girls, is suddenly visited by even more hot alien girls. What starts off as Tenchi's long lost family pouring in and telling him he's already engaged turns into a crisis that could destroy the universe. Basic Tenchi stuff and yet quite fun if you've already enjoyed everything leading up to this series as I have since it was broadcasted on Toonami.
However, I do have a few complaints. I don't talk much about the whole issue of subs and dubs and that kind of thing, but here the dub bothered me. It wasn't that the dub was bad as it was that FUNimation didn't (or couldn't) get some of the original voice actors and that was a little depressing. I had heard that they were using a different voice for Ryoko, but I figured that a sexy space pirate wouldn't be hard to recreate, and I was wrong. Not that the voice was bad, but the original voice actress who played Ryoko certainly was better. Mihoshi's voice actress was different as well, but I didn't care as much. Airhead is airhead and I've never cared much for Mihoshi anyway. One thing that did puzzle me is how they got the original voice again for Tenchi, but didn't have him do Tenchi's grandfather, Katsuhito, like he did originally. Oh well.
My other complaint actually is in the animation. Don't get me wrong, it was still good, but it wasn't the same quality and smoothness that the original OVAs had. Even if they're older, they certainly were slick and had a lot of fluid motion, whereas this third set has the standard stickiness you expect from television anime. I thought OVAs were supposed to by better in the animation department.
It's still a fun series, though. I don't know if it's ideal for someone to pick it up on its own; they do spend a lot of time referring to material brought up in the earlier series. Sure, the first episode is sort of a recap, but there's still other details you wouldn't really get unless you had watched the series from the beginning. At least we don't have to wait and buy each episode individually!
Hyakko (13 Episodes)
Animation: ****
Story: ****
Music: ****
Overall: *****
WILL SOMEONE PLEASE LICENSE THIS!?!?!?!?!??!?!?!?!
. . .
Lemme back up. When the Anime News Network was doing their Anime preview for (geez, I think it was) last fall, they didn't seem to care much for Hyakko. It was four high school girls simply being the kind of silly you'd find in anime. Yet, as I picked which series I was going to try to follow, I couldn't get it out of my mind and I decided to give it a shot.
I have since been left on the ground rolling in laughter. This series absolutely KILLS me! I don't know if it just fits in with my sense of humor or what, but I loved almost every minute of this series (I'll get to those other parts later)!! The character design is immediately striking, the character interactions are incredibly dynamic, and the music keeps everything pumping full of life and energy. Even when they toss in a few anime in-jokes, the show doesn't necessarily expect you to get them, which allows you to join in with the rest of the cast in being pleasantly baffled. Of course, when you do get it, it's just as great.
The premise is simply enough: the campus is one of those K-12 schools, but the first character you meet is Ayumi who transferred in just for high school, which becomes apparent when she gets lost five minutes into the first episode. Plagued with a timid nature, she tries to find friends but can't find the courage, so when she stumbles across Natsumi, the snooty girl, Ayumi can barely get across that she could use some help, only to learn that, despite being a student at this school since the beginning, Natsumi is lost, too. As they wander around, they come across Torako leaping out of a building as plan to not loose her own sense of direction because she and her friend Suzume are lost as well. Torako is the gung-ho reckless type (almost like a shonen anime hero) and Suzume fills the personality-of-a-alien-robot type. From here, the four girls (who are all in the same class, as it turns out) become close friends simply by happenstance and it's great to see them clash against each other over this and that. Mostly, Natsumi practicality compels her to scorn Torako for every nonsensical thing she does while Ayumi trembles in indecision and Suzume eats everything. They also seem to be the central focus as they befriend/harass the other girls in their class.
My only criticism is what happens at the end of the series. After being a rather off-the-wall comedy, it suddenly strikes a large vein of seriousness that almost seems uncharacteristic. While the series does a good job of diving fairly deep into the various characters' problems and personalities, it suddenly dives a little too deep into Torako's family life and troubles which are rather complex and dark in comparison. And the final episode is a little disorienting as it takes everything back to before the series got started. Maybe if I had read the manga, this whole thing would make more sense.
That aside, the series was a lot of fun and I would love it if some company could pick it up and bring it here. I don't care if it's just a subtitles-only complete box set a la Media Blasters (though I wouldn't turn down a dub if someone feels like it would be worthwhile), I just want this series on DVD without having to pay through the nose for an import. I really wouldn't know where to look anyways.
I may not have seen every anime comedy under the sun, but I enjoyed this and would recommend it to anyone who likes their comedy a little on the off-beat side.
Fruits Basket (23 Volumes)
Rating: ***
I reviewed the anime here on this blog before and found it to be a fun, light-hearted comedy concerning a rather frightening family. However, the anime could only go so far as the manga hadn't finished yet, so they decided to make their own ending, bringing everything to a reasonable close.
Fruits Basket is a fairly well known property by now, as it is the number shojo manga in America (or is that just TokyoPop hyping things up?). I imagine most everyone is familiar with the premise by now, and if not, I've done a decent enough job with the anime review that I don't feel like re-typing it.
In comparison to the anime, the manga starts out just as light-hearted, but then dives deep in rather serious situations and material. It spends a rather long time on each of the other zodiac members that I wouldn't really consider to be main characters, sort of like how Kare Kano got away from the main couple for some of those later graphic novels. However, to Fruits Basket's credit, it still focuses on Tohru and her interactions with the various members of the Sohma family, even if they seem tangential. In fact, as the series progresses, it seems to wax more and more philosophical, almost making it seem long-winded at times.
Toward the end, Fruits Basket remembers that shojo manga tend to have romantic parts as well, and Tohru finally decides she in love with one of the guys (I won't say who simply because I didn't think it would be him, so I'll leave it a surprise for those who haven't read it) and helps him over come his Zodiac curse.
After running for 23 volumes, we finally have the happy ending we've been waiting for all this time. Things get sorted out, negativity is replaced with smiles, and all is well. It just took a really long, roundabout way of getting there. Maybe it was just the release schedule of the volumes from TokyoPop, I don't know. However, I feel satisfied with how the series went as a whole and I don't think it as a waste of my time. (Again, their version of Cinderella for their school play is the most hilarious play-in-a-manga I've ever seen.)
Well, as I warned, things may get more complicated as I get closer to the fall semester, but I've already got a plan for next week's article: I'm almost finished with Eden Of The East (wow, what a trip) and I've got the rest of Tsubasa Reservior Chronicle handy. Also, there are a few short manga collections that I could have finished by then as well, so at least I'll have something to write about.
I wonder when One Piece will become available online again with FUNimation . . . .
Tenchi Muyo! Ryo-Ohki OVA Set 3 (7 Episodes)
Animation: ****
Story: ****
Music: ***
Overall: ***
The Tenchi franchise is about as old as the hills now and the formula is pretty much the same here, just simply picking up where the first two sets of OVAs left off. Tenchi, in his house filled with hot alien girls, is suddenly visited by even more hot alien girls. What starts off as Tenchi's long lost family pouring in and telling him he's already engaged turns into a crisis that could destroy the universe. Basic Tenchi stuff and yet quite fun if you've already enjoyed everything leading up to this series as I have since it was broadcasted on Toonami.
However, I do have a few complaints. I don't talk much about the whole issue of subs and dubs and that kind of thing, but here the dub bothered me. It wasn't that the dub was bad as it was that FUNimation didn't (or couldn't) get some of the original voice actors and that was a little depressing. I had heard that they were using a different voice for Ryoko, but I figured that a sexy space pirate wouldn't be hard to recreate, and I was wrong. Not that the voice was bad, but the original voice actress who played Ryoko certainly was better. Mihoshi's voice actress was different as well, but I didn't care as much. Airhead is airhead and I've never cared much for Mihoshi anyway. One thing that did puzzle me is how they got the original voice again for Tenchi, but didn't have him do Tenchi's grandfather, Katsuhito, like he did originally. Oh well.
My other complaint actually is in the animation. Don't get me wrong, it was still good, but it wasn't the same quality and smoothness that the original OVAs had. Even if they're older, they certainly were slick and had a lot of fluid motion, whereas this third set has the standard stickiness you expect from television anime. I thought OVAs were supposed to by better in the animation department.
It's still a fun series, though. I don't know if it's ideal for someone to pick it up on its own; they do spend a lot of time referring to material brought up in the earlier series. Sure, the first episode is sort of a recap, but there's still other details you wouldn't really get unless you had watched the series from the beginning. At least we don't have to wait and buy each episode individually!
Hyakko (13 Episodes)
Animation: ****
Story: ****
Music: ****
Overall: *****
WILL SOMEONE PLEASE LICENSE THIS!?!?!?!?!??!?!?!?!
. . .
Lemme back up. When the Anime News Network was doing their Anime preview for (geez, I think it was) last fall, they didn't seem to care much for Hyakko. It was four high school girls simply being the kind of silly you'd find in anime. Yet, as I picked which series I was going to try to follow, I couldn't get it out of my mind and I decided to give it a shot.
I have since been left on the ground rolling in laughter. This series absolutely KILLS me! I don't know if it just fits in with my sense of humor or what, but I loved almost every minute of this series (I'll get to those other parts later)!! The character design is immediately striking, the character interactions are incredibly dynamic, and the music keeps everything pumping full of life and energy. Even when they toss in a few anime in-jokes, the show doesn't necessarily expect you to get them, which allows you to join in with the rest of the cast in being pleasantly baffled. Of course, when you do get it, it's just as great.
The premise is simply enough: the campus is one of those K-12 schools, but the first character you meet is Ayumi who transferred in just for high school, which becomes apparent when she gets lost five minutes into the first episode. Plagued with a timid nature, she tries to find friends but can't find the courage, so when she stumbles across Natsumi, the snooty girl, Ayumi can barely get across that she could use some help, only to learn that, despite being a student at this school since the beginning, Natsumi is lost, too. As they wander around, they come across Torako leaping out of a building as plan to not loose her own sense of direction because she and her friend Suzume are lost as well. Torako is the gung-ho reckless type (almost like a shonen anime hero) and Suzume fills the personality-of-a-alien-robot type. From here, the four girls (who are all in the same class, as it turns out) become close friends simply by happenstance and it's great to see them clash against each other over this and that. Mostly, Natsumi practicality compels her to scorn Torako for every nonsensical thing she does while Ayumi trembles in indecision and Suzume eats everything. They also seem to be the central focus as they befriend/harass the other girls in their class.
My only criticism is what happens at the end of the series. After being a rather off-the-wall comedy, it suddenly strikes a large vein of seriousness that almost seems uncharacteristic. While the series does a good job of diving fairly deep into the various characters' problems and personalities, it suddenly dives a little too deep into Torako's family life and troubles which are rather complex and dark in comparison. And the final episode is a little disorienting as it takes everything back to before the series got started. Maybe if I had read the manga, this whole thing would make more sense.
That aside, the series was a lot of fun and I would love it if some company could pick it up and bring it here. I don't care if it's just a subtitles-only complete box set a la Media Blasters (though I wouldn't turn down a dub if someone feels like it would be worthwhile), I just want this series on DVD without having to pay through the nose for an import. I really wouldn't know where to look anyways.
I may not have seen every anime comedy under the sun, but I enjoyed this and would recommend it to anyone who likes their comedy a little on the off-beat side.
Fruits Basket (23 Volumes)
Rating: ***
I reviewed the anime here on this blog before and found it to be a fun, light-hearted comedy concerning a rather frightening family. However, the anime could only go so far as the manga hadn't finished yet, so they decided to make their own ending, bringing everything to a reasonable close.
Fruits Basket is a fairly well known property by now, as it is the number shojo manga in America (or is that just TokyoPop hyping things up?). I imagine most everyone is familiar with the premise by now, and if not, I've done a decent enough job with the anime review that I don't feel like re-typing it.
In comparison to the anime, the manga starts out just as light-hearted, but then dives deep in rather serious situations and material. It spends a rather long time on each of the other zodiac members that I wouldn't really consider to be main characters, sort of like how Kare Kano got away from the main couple for some of those later graphic novels. However, to Fruits Basket's credit, it still focuses on Tohru and her interactions with the various members of the Sohma family, even if they seem tangential. In fact, as the series progresses, it seems to wax more and more philosophical, almost making it seem long-winded at times.
Toward the end, Fruits Basket remembers that shojo manga tend to have romantic parts as well, and Tohru finally decides she in love with one of the guys (I won't say who simply because I didn't think it would be him, so I'll leave it a surprise for those who haven't read it) and helps him over come his Zodiac curse.
After running for 23 volumes, we finally have the happy ending we've been waiting for all this time. Things get sorted out, negativity is replaced with smiles, and all is well. It just took a really long, roundabout way of getting there. Maybe it was just the release schedule of the volumes from TokyoPop, I don't know. However, I feel satisfied with how the series went as a whole and I don't think it as a waste of my time. (Again, their version of Cinderella for their school play is the most hilarious play-in-a-manga I've ever seen.)
Well, as I warned, things may get more complicated as I get closer to the fall semester, but I've already got a plan for next week's article: I'm almost finished with Eden Of The East (wow, what a trip) and I've got the rest of Tsubasa Reservior Chronicle handy. Also, there are a few short manga collections that I could have finished by then as well, so at least I'll have something to write about.
I wonder when One Piece will become available online again with FUNimation . . . .
6.27.2009
The Great Comeback!! FMP, Digimon, Shikabane Hime, Trigun, Dr. Slump
Boom! Hey, everyone! I'm trying to make a comeback, talking about anime like I've always wanted to. Everything's the same as before, just now I'll be hitting newer titles as they come my way. I've decided to really hit big with several titles, so let's get started.
Full Metal Panic (24 Episodes)
Animation: ****
Story: ****
Music: ***
Overall: ****
Once again, an older title, but I've got this friend who seems to think I'm missing out by not watching Fumoffu and The Second Raid, so I rewatched the original first season to get myself into the mood. I remember when I watched it before, I thought it was alright. Fun, but not much of an impact. However, I've learned that I am less critical the second time through I watch something. It's how I ended up liking the Trigun anime much more than before (more on that later!).
So anyways, the story: A certain mercenary organization called Mithril spends its time acting as a covert police force throughout the world, wiping out terrorist camps and illegal chemical factories for drugs and such. One of their major concerns is a type of person called a Whispered who, as far as I can tell, are born with an innate knowledge of something called Black Technology. Mithril goes out of its way to make sure these Whispered Ones aren't misused and/or abused by those with evil intentions, a big deal considering the major weaponry Black Technology is capable.
A Japanese high-school girl named Kaname Chidori comes to Mithril's attention as a potential Whispered, so they send a trio to watch over her. Two of them take care of basic bugging and surveillance, but the third is supposed to enroll in the school as a student and be her covert bodyguard. This third mercenary is Sousuke Sagara, a perfect military man to the nines and an ace mecha pilot but the emotions of a statue and over-assertive. The beginning mostly deals with Sousuke suspecting everything as a potential attack and making life miserable for Kaname, who turns out to be an opinionated tomboy who finds Sousuke's “antics” to be annoying to the point of insanity.
Of course, things begin to go south in a hurry as Kaname turns out to be a Whispered and thus the target of terrorists. From there, the action moves back and forth from the crazy adventures of Sousuke and Kaname to military mecha action and, most pleasantly, both at the same time.
The series is consistently fun, balancing the bone-crunching robots with Kaname crunching Sousuke's bones for humiliating her in public. This balance really creates a ranged experience not often found on other anime series and, best of all, helps set up the climactic ending that seems so satisfying when it's all over.
An early Gonzo piece, it's easy to see how quickly they wanted to integrate CG with 2D animation and, for the most part, it works. There are a few bits that seem obvious but otherwise it's fairly seamless and doesn't detract. Balance is found here as there isn't a shift in quality between big robot combat and Sousuke's involuntary pratfalls. As for the music, it works. The opening and ending themes seem rather average, but the actual score for the series feels like it came from Hollywood action flick, intensifying the action.
Now that I've had this refresher course, I can finally start on the other shows with worrying about forgetting anything and with a positive attitude. While many of the concepts individually aren't really new, they're brought together in a solid and believable way, and that's why FMP is favorite for many people.
Digimon 02 (50 Episodes)
Animation: 3
Story: 4
Music: 4
Overall: 4
Thanks to Toei and CrunchyRoll making some deals, the world has been blessed with being able to watch some of the classics of animation. And thanks to Toei's deal with FUNimation, they are spread all over for people to see. So why Digimon 02, you may ask, as opposed to Fist of the North Star or Galaxy Express 999? Well, Digimon is shorter (I haven't finished FOTNS yet and haven't even begun GE999) and it is one of my favorites.
You see, I was a Pokemon fan back in early middle school, which meant that Digimon was the weaker version of Pokemon. Same idea, but Pokemon was cooler, by some middle-school-age cool-ometer. You know how that all works. However, as the Pokemon anime was proving itself to be redundant and repetitive with no end in sight (I gave up after Orange League) I found myself more curious about the Digimon anime. So, switching over from KidsWB to the old-school Fox Kids block for a moment, I found myself at the end of the second season and completely enthralled. The climactic ending of that series convinced me to sit through most of the third season, which wasn't bad either. However, since then, I haven't had the chance to watch the whole thing from beginning to end. So when CrunchyRoll got the rights to post them on their website, I jumped at the chance.
Digimon 02 starts off like any other merchandise driven anime series: a group of kids suddenly become the “Chosen Ones” (DigiDestined in this case) and gain digimon partners to help them maintain the balance between the real world and the digital world. They fight off the monster of the day and keep the peace. Simple enough.
However, things don't stay simple for long within the series. Taking place 3 years after the first Digimon Adventure, the old crew has grown up, so the younger ones and a few new characters take over. They start taking on the Digimon Kaiser, who is trying to take over the Digital World. Then they learn that the Kaiser is another DigiDestined that had been corrupted by other powers for their own purposes, who had been corrupted by an old nemesis for his own purposes. As these twists develop, the heroes are faced with some tough decisions. Some of the returning heroes are haunted by the past, while the others suddenly feel the weight of saving the world and the costs it will have to take to do so.
I've always felt that the Digimon anime series have reached for an incredible amount of character complexity for a kids show, which is perhaps why I'm so drawn to it. The animation is standard. Toei isn't trying to blow the kids' socks off as they are making recognizable characters so they can be purchased later on. And there A LOT of transformation sequences. Be prepared to turn your brain off for a minute or two sometimes as they cycle through everyone's upgrades. The music is catchy and I found myself really liking the second ending's theme. If someone can direct me to an OST, that'd be greatly appreciated.
Watching kids' shows as an adult does take some humility, but, with Digimon 02, the payoffs are still there and the ending is incredibly satisfying (an not just because you're finished). I'll always have a weakness for Digimon and should more of it be posted online like that, I'll be there in a hearbeat. I still haven't completely finished the first and third seasons, and I know next to nothing about the fourth and fifth. And, of course, there's all the movies. C'mon, Toei! Snap, snap!!
Shikabane Hime (25 Episodes)
Animation: *****
Story: ****
Music: ****
Overall: ****
GAINAX always has a soft spot for girls with guns and Shikabane Hime is no different. While this take on the motif is quite bizarre, we're still led on a fun and engaging GAINAX-style romp that won't be forgotten soon.
Shikabane Hime delves into the world of the undead and how it relates to Buddhist monks and the world as a whole. You see, when a person dies, if they have lingering regrets, they will come back to life as a Shikabane, gaining incredible powers and generally having a hatred for humanity. However, through proper rituals, a Shikabane can be turned into a Shikabane Hime, an undead entity that assist the monks in eliminating the Shikabane from causing too much damage. Of course, with most supernatural goings on, all of this is generally kept secret from the public as a whole.
Meanwhile, a high-school-age boy named Ouri walks up in the middle of the night and follows a strange black cat to see his “older brother”, Keisei, with a Shikabane Hime (Ouri was an orphan at the orphanage where Keisei works). New to this whole side of his brother, he suddenly is thrust into the forefront of the battles and politics surrounding it all. He learns about the various relationships the monks have with their partners, ranging from deep respect to deep loathing.
Soon, Ouri develops his own relationship with his brother's Shikabane Hime, Makina. Not put off by her aggressive, tomboy disposition (or the fact that she's cold to the teach because she's dead!), he tries to get to know her, despite Keisei's warnings to not bother with Shikabane and Shikabane Hime. As Ouri digs deeper and deeper, not only does he face enormous and destructive monsters, he also learns some frightening truths about the particular sect of Buddhism that deals with these undead creatures as well as about himself. Of course, things don't get any better when a clever group of villains called the Seven Stars enter the scene.
Shikabane Hime is an anime that certainly has a lot going for it: girls with guns, gruesome monsters, inquisitive boys, crazy and bizarre villains, and great action. The animation is great, though it is obvious that they're still in the momentum that FLCL gave them. Seriously, ever since that OVA series, everything GAINAX has done has had flavors of FLCL, especially when the action heats up. Things get angular and disproportionate, showing that combat doesn't need to be realistic to be engaging, and nothing cemented that more than Gurren Lagann. Don't get me wrong, it's great stuff (I freaking love FLCL), but it does tend to stand out. Perhaps I'm more of an animation junkie, but I noticed it and it was slightly distracting.
The music is also excellent. Using a couple of Evanescence-style goth rock pieces for the opening and closing animations and carrying those melodies over into the score really lent the proper attitude for the whole series. It's another OST I'd like to pick up.
The ending, however, left a bit of a bad taste in my mouth. I understand that the series had been trying to ask some pretty deep questions all throughout, but for such an action driven story, I felt it ended before it was supposed to, like there was supposed to be one more episode before it finished. Using an analogy that hopefully won't be a spoiler, it's like watching Return of the Jedi and the movie ends just as Luke begins fighting Darth Vader in the Emperor's Throne Room. It felt weird. Certainly, there was an emotional resolution, but I don't think it makes up for the decision to stop where they did. Maybe it's just me.
Finally, I have to admit it was pretty cool being able to watch it legally just a few weeks after it aired in Japan on FUNimation's YouTube Channel and, later, their video portal. I imagine its brave steps forward has helps propel all of the simulcasts on CrunchyRoll and other efforts to bring anime to an international market, though it's doubtless that Kurokami is the most ambitious.
And speaking of FUNimation and streaming: tough luck lately, huh? First One Piece's simulcast goes down the tubes and now Phantom and FMA: Brotherhood. I've been way excited to watch One Piece and FMA online, but this really is a turn for the worse. Good luck to FUNimation on getting all of that turned around.
Trigun Maximum (14 Volumes)
Rating: ****
It's finally over!! After we all saw the anime, picked up Dark Horse's first two graphic novels, things slowed to a crawl as Nightow's publishing schedule went haywire and we didn't know when the next installment would come. Finally, we get to see just how this great saga comes to a close, and what an ending it was.
Trigun (for those who have been living under a rock) is a sci-fi/western action series that takes place on a desert planet that humans have been trying to colonize for several decades. In the midst of this recreation of western America is a man named Vash the Stampede, an outlaw with a massive price on his head and a horrible reputation. People say that he wiped out an entire town, but no one was killed. He wears a red coat and is an amazing sharp-shooter and a walking disaster zone.
Enter Millie and Meryl of the Bernadelli Insurance Company. Their job is to find this Vash and make sure that he doesn't wreck any more insured houses. What they find is a happy-go-lucky party animal who seems to be the least dangerous man alive. All about peace, love, and donuts, this supposed human hurricane spends his time wandering from place to place, eating and drinking as much as possible, and playing with kids. Is this really Vash the Stampede?
Things become clear as Vash's complex and haunting past comes to light and he has to stop his brother from destroying all of humanity. Only time will tell if Vash's message will hold out as he faces opponent after opponent and situation after situation, testing his physical and moral mettle to its limits.
Sorry if that sounds like a commercial, but I really loved this series. I picked it up and found myself engrossed with the characters, especially Vash. Pushing moral limits of a seemingly pure character is always fascinating (to me, anyways) and the Trigun series does that very well.
Trigun Maximum is actually a continuation of the original Trigan manga that had a short run before the magazine that was publishing it went under. The name was changed for the new run and it has finally finished.
Personally, I'm a fan of the art in this series. I know there are other people who find Nightow's work to be convoluted and hard to follow, and I have to admit there were times I didn't really know what was going on, but for some reason, I'm fine with that. To me, it carries the same spirit as a lot of the independent American comics of the ninties. Not necessarily reinventing the wheel for its basic concepts, but on how they were presented. Basically, it just shows that Nightow is a huge Todd McFarlane/Spawn fan. (When a Vash figure as proposed by McFarlane toys, Nightow blew a rod, as recorded in his omake.)
The ending is an interesting one. There is resolution, but things have been left open. Instead of concluding everything by tying all the knots, Trigun comes full circle with its characters almost picking up where they left off before the whole thing got serious. The homage to Dr. Slump is interesting as well (on the inside of the cover), also proving that this whole thing really wasn't meant to be taken all that seriously. And that's just like Vash, when you think about it.
And speaking of Dr. Slump, guess what else just finished?
Dr. Slump (18 Volumes)
Rating: ***
The work of Akira Toriyama has been crunching in America from the beginning of this decade. His world-wide phenomenon Dragon Ball has become on of the greatest franchises in entertainment's history. Seriously, I think it's now bigger than both Gundam & Star Trek combined. It may even rival Star Wars!!
However, before all of that, Toriyama was making a name for himself for a completely different reason. Back in 1980 (four years before Dragon Ball), he created Dr. Slump, a manga about a genius, yet lecherous, inventor, Senbei, and his female android, Arale. The misadventures of these two and the reoccurring cast of Penguin Village's citizens quickly became popular, extending the story all over the place and eventually becoming an anime series that ran for 200+ of its own episodes before Toei picked up Dragon Ball.
It's hard to really describe a comedy manga in terms of story, especially as non sequiter and self-referential as Dr. Slump. Toriyama, his assistants, and his editor make several appearances, either shamelessly moving the story along themselves or outright admitting they really have no idea of what's going on. In fact, the characters themselves are so spontaneous that they appear in Dragon Ball for a short while when Goku needs Senbei to fix the Dragon Radar.
While the comedy itself is fun, it's also rather forgettable. Driven by cheap gags and low brow humor, its entertaining, but I doubt I'll read these again. So why does it get three stars? To be honest, it was through Dr. Slump that I really began to appreciate Akira Toriyama's art style. Dragon Ball really doesn't offer a great variety of things to be seen, but Dr. Slump goes all over the place, including Star Wars. It's easy to see just how good of an artist Toriyama was (and still is).
While Dragon Ball will probably keep Akira Toriyama out of the streets for the rest of his life, he never would have gotten the chance to tell the story of a monkey-tailed boy from outer space if it weren't for the success he had with Dr. Slump.
And speaking of that ridiculously huge franchise, I've been watching the new Dragon Ball Kai (mostly out of curiosity; if they can cram all of DBZ into 100 episodes, I'm in) and I'm surprised that FUNimation hasn't licensed it yet. It may not get television ratings, but I'm sure its more compact storytelling will draw in new-comers who may have missed the glory days of Toonami.
Well, how's that for a comeback, folks. Now let's see if I can keep this up! Currently, I'm making a run on both Dragon Ball Z and Naruto (yes, I'm going to watch ALL of the filler episodes). I expect to be done with DBZ by the end of summer as well as Tsubasa Reservoir Chronicle (man, the anime is weeeeiiiirrrrd). I've also got Code Geass R2 almost done and could be finished with a few others quite soon. In short, I have no excuse to keep reviewing anime. I certainly haven't stopped watching it.
Full Metal Panic (24 Episodes)
Animation: ****
Story: ****
Music: ***
Overall: ****
Once again, an older title, but I've got this friend who seems to think I'm missing out by not watching Fumoffu and The Second Raid, so I rewatched the original first season to get myself into the mood. I remember when I watched it before, I thought it was alright. Fun, but not much of an impact. However, I've learned that I am less critical the second time through I watch something. It's how I ended up liking the Trigun anime much more than before (more on that later!).
So anyways, the story: A certain mercenary organization called Mithril spends its time acting as a covert police force throughout the world, wiping out terrorist camps and illegal chemical factories for drugs and such. One of their major concerns is a type of person called a Whispered who, as far as I can tell, are born with an innate knowledge of something called Black Technology. Mithril goes out of its way to make sure these Whispered Ones aren't misused and/or abused by those with evil intentions, a big deal considering the major weaponry Black Technology is capable.
A Japanese high-school girl named Kaname Chidori comes to Mithril's attention as a potential Whispered, so they send a trio to watch over her. Two of them take care of basic bugging and surveillance, but the third is supposed to enroll in the school as a student and be her covert bodyguard. This third mercenary is Sousuke Sagara, a perfect military man to the nines and an ace mecha pilot but the emotions of a statue and over-assertive. The beginning mostly deals with Sousuke suspecting everything as a potential attack and making life miserable for Kaname, who turns out to be an opinionated tomboy who finds Sousuke's “antics” to be annoying to the point of insanity.
Of course, things begin to go south in a hurry as Kaname turns out to be a Whispered and thus the target of terrorists. From there, the action moves back and forth from the crazy adventures of Sousuke and Kaname to military mecha action and, most pleasantly, both at the same time.
The series is consistently fun, balancing the bone-crunching robots with Kaname crunching Sousuke's bones for humiliating her in public. This balance really creates a ranged experience not often found on other anime series and, best of all, helps set up the climactic ending that seems so satisfying when it's all over.
An early Gonzo piece, it's easy to see how quickly they wanted to integrate CG with 2D animation and, for the most part, it works. There are a few bits that seem obvious but otherwise it's fairly seamless and doesn't detract. Balance is found here as there isn't a shift in quality between big robot combat and Sousuke's involuntary pratfalls. As for the music, it works. The opening and ending themes seem rather average, but the actual score for the series feels like it came from Hollywood action flick, intensifying the action.
Now that I've had this refresher course, I can finally start on the other shows with worrying about forgetting anything and with a positive attitude. While many of the concepts individually aren't really new, they're brought together in a solid and believable way, and that's why FMP is favorite for many people.
Digimon 02 (50 Episodes)
Animation: 3
Story: 4
Music: 4
Overall: 4
Thanks to Toei and CrunchyRoll making some deals, the world has been blessed with being able to watch some of the classics of animation. And thanks to Toei's deal with FUNimation, they are spread all over for people to see. So why Digimon 02, you may ask, as opposed to Fist of the North Star or Galaxy Express 999? Well, Digimon is shorter (I haven't finished FOTNS yet and haven't even begun GE999) and it is one of my favorites.
You see, I was a Pokemon fan back in early middle school, which meant that Digimon was the weaker version of Pokemon. Same idea, but Pokemon was cooler, by some middle-school-age cool-ometer. You know how that all works. However, as the Pokemon anime was proving itself to be redundant and repetitive with no end in sight (I gave up after Orange League) I found myself more curious about the Digimon anime. So, switching over from KidsWB to the old-school Fox Kids block for a moment, I found myself at the end of the second season and completely enthralled. The climactic ending of that series convinced me to sit through most of the third season, which wasn't bad either. However, since then, I haven't had the chance to watch the whole thing from beginning to end. So when CrunchyRoll got the rights to post them on their website, I jumped at the chance.
Digimon 02 starts off like any other merchandise driven anime series: a group of kids suddenly become the “Chosen Ones” (DigiDestined in this case) and gain digimon partners to help them maintain the balance between the real world and the digital world. They fight off the monster of the day and keep the peace. Simple enough.
However, things don't stay simple for long within the series. Taking place 3 years after the first Digimon Adventure, the old crew has grown up, so the younger ones and a few new characters take over. They start taking on the Digimon Kaiser, who is trying to take over the Digital World. Then they learn that the Kaiser is another DigiDestined that had been corrupted by other powers for their own purposes, who had been corrupted by an old nemesis for his own purposes. As these twists develop, the heroes are faced with some tough decisions. Some of the returning heroes are haunted by the past, while the others suddenly feel the weight of saving the world and the costs it will have to take to do so.
I've always felt that the Digimon anime series have reached for an incredible amount of character complexity for a kids show, which is perhaps why I'm so drawn to it. The animation is standard. Toei isn't trying to blow the kids' socks off as they are making recognizable characters so they can be purchased later on. And there A LOT of transformation sequences. Be prepared to turn your brain off for a minute or two sometimes as they cycle through everyone's upgrades. The music is catchy and I found myself really liking the second ending's theme. If someone can direct me to an OST, that'd be greatly appreciated.
Watching kids' shows as an adult does take some humility, but, with Digimon 02, the payoffs are still there and the ending is incredibly satisfying (an not just because you're finished). I'll always have a weakness for Digimon and should more of it be posted online like that, I'll be there in a hearbeat. I still haven't completely finished the first and third seasons, and I know next to nothing about the fourth and fifth. And, of course, there's all the movies. C'mon, Toei! Snap, snap!!
Shikabane Hime (25 Episodes)
Animation: *****
Story: ****
Music: ****
Overall: ****
GAINAX always has a soft spot for girls with guns and Shikabane Hime is no different. While this take on the motif is quite bizarre, we're still led on a fun and engaging GAINAX-style romp that won't be forgotten soon.
Shikabane Hime delves into the world of the undead and how it relates to Buddhist monks and the world as a whole. You see, when a person dies, if they have lingering regrets, they will come back to life as a Shikabane, gaining incredible powers and generally having a hatred for humanity. However, through proper rituals, a Shikabane can be turned into a Shikabane Hime, an undead entity that assist the monks in eliminating the Shikabane from causing too much damage. Of course, with most supernatural goings on, all of this is generally kept secret from the public as a whole.
Meanwhile, a high-school-age boy named Ouri walks up in the middle of the night and follows a strange black cat to see his “older brother”, Keisei, with a Shikabane Hime (Ouri was an orphan at the orphanage where Keisei works). New to this whole side of his brother, he suddenly is thrust into the forefront of the battles and politics surrounding it all. He learns about the various relationships the monks have with their partners, ranging from deep respect to deep loathing.
Soon, Ouri develops his own relationship with his brother's Shikabane Hime, Makina. Not put off by her aggressive, tomboy disposition (or the fact that she's cold to the teach because she's dead!), he tries to get to know her, despite Keisei's warnings to not bother with Shikabane and Shikabane Hime. As Ouri digs deeper and deeper, not only does he face enormous and destructive monsters, he also learns some frightening truths about the particular sect of Buddhism that deals with these undead creatures as well as about himself. Of course, things don't get any better when a clever group of villains called the Seven Stars enter the scene.
Shikabane Hime is an anime that certainly has a lot going for it: girls with guns, gruesome monsters, inquisitive boys, crazy and bizarre villains, and great action. The animation is great, though it is obvious that they're still in the momentum that FLCL gave them. Seriously, ever since that OVA series, everything GAINAX has done has had flavors of FLCL, especially when the action heats up. Things get angular and disproportionate, showing that combat doesn't need to be realistic to be engaging, and nothing cemented that more than Gurren Lagann. Don't get me wrong, it's great stuff (I freaking love FLCL), but it does tend to stand out. Perhaps I'm more of an animation junkie, but I noticed it and it was slightly distracting.
The music is also excellent. Using a couple of Evanescence-style goth rock pieces for the opening and closing animations and carrying those melodies over into the score really lent the proper attitude for the whole series. It's another OST I'd like to pick up.
The ending, however, left a bit of a bad taste in my mouth. I understand that the series had been trying to ask some pretty deep questions all throughout, but for such an action driven story, I felt it ended before it was supposed to, like there was supposed to be one more episode before it finished. Using an analogy that hopefully won't be a spoiler, it's like watching Return of the Jedi and the movie ends just as Luke begins fighting Darth Vader in the Emperor's Throne Room. It felt weird. Certainly, there was an emotional resolution, but I don't think it makes up for the decision to stop where they did. Maybe it's just me.
Finally, I have to admit it was pretty cool being able to watch it legally just a few weeks after it aired in Japan on FUNimation's YouTube Channel and, later, their video portal. I imagine its brave steps forward has helps propel all of the simulcasts on CrunchyRoll and other efforts to bring anime to an international market, though it's doubtless that Kurokami is the most ambitious.
And speaking of FUNimation and streaming: tough luck lately, huh? First One Piece's simulcast goes down the tubes and now Phantom and FMA: Brotherhood. I've been way excited to watch One Piece and FMA online, but this really is a turn for the worse. Good luck to FUNimation on getting all of that turned around.
Trigun Maximum (14 Volumes)
Rating: ****
It's finally over!! After we all saw the anime, picked up Dark Horse's first two graphic novels, things slowed to a crawl as Nightow's publishing schedule went haywire and we didn't know when the next installment would come. Finally, we get to see just how this great saga comes to a close, and what an ending it was.
Trigun (for those who have been living under a rock) is a sci-fi/western action series that takes place on a desert planet that humans have been trying to colonize for several decades. In the midst of this recreation of western America is a man named Vash the Stampede, an outlaw with a massive price on his head and a horrible reputation. People say that he wiped out an entire town, but no one was killed. He wears a red coat and is an amazing sharp-shooter and a walking disaster zone.
Enter Millie and Meryl of the Bernadelli Insurance Company. Their job is to find this Vash and make sure that he doesn't wreck any more insured houses. What they find is a happy-go-lucky party animal who seems to be the least dangerous man alive. All about peace, love, and donuts, this supposed human hurricane spends his time wandering from place to place, eating and drinking as much as possible, and playing with kids. Is this really Vash the Stampede?
Things become clear as Vash's complex and haunting past comes to light and he has to stop his brother from destroying all of humanity. Only time will tell if Vash's message will hold out as he faces opponent after opponent and situation after situation, testing his physical and moral mettle to its limits.
Sorry if that sounds like a commercial, but I really loved this series. I picked it up and found myself engrossed with the characters, especially Vash. Pushing moral limits of a seemingly pure character is always fascinating (to me, anyways) and the Trigun series does that very well.
Trigun Maximum is actually a continuation of the original Trigan manga that had a short run before the magazine that was publishing it went under. The name was changed for the new run and it has finally finished.
Personally, I'm a fan of the art in this series. I know there are other people who find Nightow's work to be convoluted and hard to follow, and I have to admit there were times I didn't really know what was going on, but for some reason, I'm fine with that. To me, it carries the same spirit as a lot of the independent American comics of the ninties. Not necessarily reinventing the wheel for its basic concepts, but on how they were presented. Basically, it just shows that Nightow is a huge Todd McFarlane/Spawn fan. (When a Vash figure as proposed by McFarlane toys, Nightow blew a rod, as recorded in his omake.)
The ending is an interesting one. There is resolution, but things have been left open. Instead of concluding everything by tying all the knots, Trigun comes full circle with its characters almost picking up where they left off before the whole thing got serious. The homage to Dr. Slump is interesting as well (on the inside of the cover), also proving that this whole thing really wasn't meant to be taken all that seriously. And that's just like Vash, when you think about it.
And speaking of Dr. Slump, guess what else just finished?
Dr. Slump (18 Volumes)
Rating: ***
The work of Akira Toriyama has been crunching in America from the beginning of this decade. His world-wide phenomenon Dragon Ball has become on of the greatest franchises in entertainment's history. Seriously, I think it's now bigger than both Gundam & Star Trek combined. It may even rival Star Wars!!
However, before all of that, Toriyama was making a name for himself for a completely different reason. Back in 1980 (four years before Dragon Ball), he created Dr. Slump, a manga about a genius, yet lecherous, inventor, Senbei, and his female android, Arale. The misadventures of these two and the reoccurring cast of Penguin Village's citizens quickly became popular, extending the story all over the place and eventually becoming an anime series that ran for 200+ of its own episodes before Toei picked up Dragon Ball.
It's hard to really describe a comedy manga in terms of story, especially as non sequiter and self-referential as Dr. Slump. Toriyama, his assistants, and his editor make several appearances, either shamelessly moving the story along themselves or outright admitting they really have no idea of what's going on. In fact, the characters themselves are so spontaneous that they appear in Dragon Ball for a short while when Goku needs Senbei to fix the Dragon Radar.
While the comedy itself is fun, it's also rather forgettable. Driven by cheap gags and low brow humor, its entertaining, but I doubt I'll read these again. So why does it get three stars? To be honest, it was through Dr. Slump that I really began to appreciate Akira Toriyama's art style. Dragon Ball really doesn't offer a great variety of things to be seen, but Dr. Slump goes all over the place, including Star Wars. It's easy to see just how good of an artist Toriyama was (and still is).
While Dragon Ball will probably keep Akira Toriyama out of the streets for the rest of his life, he never would have gotten the chance to tell the story of a monkey-tailed boy from outer space if it weren't for the success he had with Dr. Slump.
And speaking of that ridiculously huge franchise, I've been watching the new Dragon Ball Kai (mostly out of curiosity; if they can cram all of DBZ into 100 episodes, I'm in) and I'm surprised that FUNimation hasn't licensed it yet. It may not get television ratings, but I'm sure its more compact storytelling will draw in new-comers who may have missed the glory days of Toonami.
Well, how's that for a comeback, folks. Now let's see if I can keep this up! Currently, I'm making a run on both Dragon Ball Z and Naruto (yes, I'm going to watch ALL of the filler episodes). I expect to be done with DBZ by the end of summer as well as Tsubasa Reservoir Chronicle (man, the anime is weeeeiiiirrrrd). I've also got Code Geass R2 almost done and could be finished with a few others quite soon. In short, I have no excuse to keep reviewing anime. I certainly haven't stopped watching it.
2.12.2009
More apologies, again.
Wow, It's been a year since I've reviewed ANYTHING! I could complain about being constantly hit with the busy stick, but writing a blog really doesn't require a lot from the blogger. I mean, really? Yeah.
My anime watching trends certainly have shifted since last September. I'm no longer using the On Demand for my anime and I'm most on the internet now, either torrenting the latest dubs or watching stuff on sites like CrunchyRoll. By the way, I think that the new FUNimation video portal is incredible!! I've been watching Shikabane Hime on it and I've been very impressed! While I would hope that more anime appears on television, the internet now has a plethora of choices now and I'm rather excited about it. We'll have to see what fruits come to bear with this trend.
As for what I'm watching right now, I'm still plowing through Code Geass, I'm almost finished with Gundam 00 (Season 1), and I've been way impressed with the new Kurokami series. Not really groundbreaking, but it's been pretty cool. Onine, along with Shikabane Hime, I've enjoyed the classics from Toei Animation's page on CrunchyRoll: Digimon 02 (I've never really it seen it from beginning to end), Slam Dunk, and Fist of the North Star.
I recently finished Gurren Lagann (which was incredible), Slayers (which was alright), and YuYu Hakusho (which was fun). Since September, I completed Scrapped Princess, Mahoromatic, Jubei-Chan, and others. My anime watching hasn't let up, I just haven't been writing about it.
HOWEVER (and here comes the list of promises), I do wish to get back on track with this blog. I'm still watching anime and still have a lot to say about it. I still hope to start doing videos or a podcast or something, but for now, I've got to keep writing.
Hopefully, you'll see me next week. Hopefully.
My anime watching trends certainly have shifted since last September. I'm no longer using the On Demand for my anime and I'm most on the internet now, either torrenting the latest dubs or watching stuff on sites like CrunchyRoll. By the way, I think that the new FUNimation video portal is incredible!! I've been watching Shikabane Hime on it and I've been very impressed! While I would hope that more anime appears on television, the internet now has a plethora of choices now and I'm rather excited about it. We'll have to see what fruits come to bear with this trend.
As for what I'm watching right now, I'm still plowing through Code Geass, I'm almost finished with Gundam 00 (Season 1), and I've been way impressed with the new Kurokami series. Not really groundbreaking, but it's been pretty cool. Onine, along with Shikabane Hime, I've enjoyed the classics from Toei Animation's page on CrunchyRoll: Digimon 02 (I've never really it seen it from beginning to end), Slam Dunk, and Fist of the North Star.
I recently finished Gurren Lagann (which was incredible), Slayers (which was alright), and YuYu Hakusho (which was fun). Since September, I completed Scrapped Princess, Mahoromatic, Jubei-Chan, and others. My anime watching hasn't let up, I just haven't been writing about it.
HOWEVER (and here comes the list of promises), I do wish to get back on track with this blog. I'm still watching anime and still have a lot to say about it. I still hope to start doing videos or a podcast or something, but for now, I've got to keep writing.
Hopefully, you'll see me next week. Hopefully.
9.23.2008
RIP Toonami
While this isn't as timely as the rest of the comments about this, I cannot say nothing. While I must admit that I haven't seriously watched Toonami for quite a long time now, to know that it has stopped for good is depressing. Toonami was a major part of my teenage years.
I started to watch it because of Voltron and Robotech, then, later, my friends got me into Dragon Ball Z, and I was addicted. Then they showed Gundam Wing and I was an anime fan for life. From there, it only got better: Tenchi, Outlaw Star, Big O, Blue Sub Six, and so on. I loved Toonami and all that they did.
Then I went away from Toonami (serving a 2-year LDS Mission didn't help) and when I came back, it just wasn't the same. They weren't trying new things anymore, not like they used to. And Naruto just wasn't enough to keep me coming back. So maybe, in the end, I didn't help Toonami continue; who knows. Still, it's sad to see such a good friend die. I mean, it's like the death of Mr. Rogers, except not so universal.
I can only hope that there will be other avenues for anime to reach mainstream culture. Adult Swim just isn't enough, and their treating their anime properties quite poorly. I've been doing more online, especially now that Funimation is really using their YouTube Channel, and more On Demand, through the Anime Network and Anime Selects (POST YOUR SCHEDULE!). The Sci-Fi Channel has picked up with Gurren Lagann and I am REALLY looking forward to Gundam 00 appearing on Ani-Monday's here in November. Maybe someone else will pick up the kind of legacy that Toonami left us with. I can only hope.
As for the guidepost, I apologize for not being more consistent in my writing. I've been watching anime quite regularly, thanks to the internet, On Demand, and my local library. I'm slowly powering through Naruto still, I'm looking forward to Tsubasa Season 2, and I've been enjoying Slayers and Code Geass online. I promise to do more with this site (especially if I can figure out how to get to the CSS for it) and I've got all sorts of titles to tell you about.
That is if I can get a job and keep myself from getting buried in schoolwork. Yeah, yeah, I know, the same old excuses, but life comes first, right?
I started to watch it because of Voltron and Robotech, then, later, my friends got me into Dragon Ball Z, and I was addicted. Then they showed Gundam Wing and I was an anime fan for life. From there, it only got better: Tenchi, Outlaw Star, Big O, Blue Sub Six, and so on. I loved Toonami and all that they did.
Then I went away from Toonami (serving a 2-year LDS Mission didn't help) and when I came back, it just wasn't the same. They weren't trying new things anymore, not like they used to. And Naruto just wasn't enough to keep me coming back. So maybe, in the end, I didn't help Toonami continue; who knows. Still, it's sad to see such a good friend die. I mean, it's like the death of Mr. Rogers, except not so universal.
I can only hope that there will be other avenues for anime to reach mainstream culture. Adult Swim just isn't enough, and their treating their anime properties quite poorly. I've been doing more online, especially now that Funimation is really using their YouTube Channel, and more On Demand, through the Anime Network and Anime Selects (POST YOUR SCHEDULE!). The Sci-Fi Channel has picked up with Gurren Lagann and I am REALLY looking forward to Gundam 00 appearing on Ani-Monday's here in November. Maybe someone else will pick up the kind of legacy that Toonami left us with. I can only hope.
As for the guidepost, I apologize for not being more consistent in my writing. I've been watching anime quite regularly, thanks to the internet, On Demand, and my local library. I'm slowly powering through Naruto still, I'm looking forward to Tsubasa Season 2, and I've been enjoying Slayers and Code Geass online. I promise to do more with this site (especially if I can figure out how to get to the CSS for it) and I've got all sorts of titles to tell you about.
That is if I can get a job and keep myself from getting buried in schoolwork. Yeah, yeah, I know, the same old excuses, but life comes first, right?
2.06.2008
Keeping on task! Escaflowne, Azumanga, Spiral!
See! I can be consistent.
I don't know how I'm going to go forward from here, except to weekly keep you posted on what I'm watching and what I think of it. I finally finished Escaflowne and Azumanga Daioh, but Magic Knight Rayearth may have to wait because I've picked up Death Note again. I may finish that before anything else. I'm also finishing the first season of Tsubasa Reservoir Chronicle and I've picked up the Escaflowne movie, so we'll have to see what I can get to for next week. I may also take a few moments and reminisce about titles I've enjoyed in the past. Let's begin!
Spiral (25 Episodes)
Animation: ***
Story: ****
Music: ****
Overal: ****
I'm just kind of throwing this in. I haven't watched it in a while, but it really has a special place in my heart. And now that the manga is being produced by Yen Press, I'm finally going to find out the answers that were left unresolved from the anime series.
Spiral is a very different kind of anime. It starts off a handful of mysteries, but as the secrets of the blade children are revealed, it becomes a kind of battle of wits, episode after episode. Maybe because it is so different (from standard DBZ, Naruto shonen style action) that I like it so much. The further you get into the series, the higher the stakes become.
However, when you finish the 25 episodes, there are a lot of unanswered questions. While there is some resolution and Kanone is, essentially, defeated, you still wonder what the deal is with the blade children and why they are cursed.
There are still a lot of highlights with the show. I personally like the music quite a bit, and the adventures are a lot of fun to watch. Also, Funimation really does great work with the dub, hitting all of the characters on the nose, giving Eyes a british accent and everything, is rather brilliant. Again, we have a southern accent for Kansai, but it's forgivable. And, as a side note, the DVDs have an outakes section that just kills me. Now, I've always been a fan of outakes, like from Toy Story and Jackie Chan movies, but anime dubbing outakes seem a little odd. However, they way they were presented for Spiral, I think, was brilliant. Instead of just showing the scene they're supposed to be dubbing, they made a bit of a montage, mixing up the lines with images and music.
Spiral is very recommendable as long as you can tolerate a bit of a cliffhanger ending. Everything from Hiyono's terrifying ability to get information to the interactions between the blade children, especially Rio and Kousuke, is very entertaining. It's good to see how something different can come out as something interesting.
My life has succeeding in making me busy, but I'm still going to watch anime and be a guide to what (I think) is good. Leave comments and lemme know what you think.
I don't know how I'm going to go forward from here, except to weekly keep you posted on what I'm watching and what I think of it. I finally finished Escaflowne and Azumanga Daioh, but Magic Knight Rayearth may have to wait because I've picked up Death Note again. I may finish that before anything else. I'm also finishing the first season of Tsubasa Reservoir Chronicle and I've picked up the Escaflowne movie, so we'll have to see what I can get to for next week. I may also take a few moments and reminisce about titles I've enjoyed in the past. Let's begin!
Azumanga Daioh (26 Episodes)
Animation: ***
Story: ****
Music: **
Overall: ***
Azumanga Daioh is a title that seems so simple when you watch it, but when you try to explain it to other people, it gets rather difficult. Really, its a comedy about the misadventures of six high school girls, but they aren't the general misadventures you'd expect. Conisdering that it was first a comic strip, it really is more comparable to Calvin and Hobbes than shoujo anime. And perhaps we're getting an idea of what it's about.
I had actually read the manga and loved it, so I anticipated the anime version to be as much fun. While there were moments were I was laughing out loud, sometimes there were things that were a little awkward. I don't know how to describe it, but I guess it's the difference between manga and anime, especially with comedy.
At first, I didn't like ADV's dub. I've always had issues with using Southern accents for the Kansai dialect because it's not a fair comparison. But over time, I got used to them and rather liked it by the end. Osaka ended up sounding stupid rather than southern, and that is much closer to her character.
The one thing that really got on my nerves were the theme songs. They have got to be the weirdest theme songs in all of anime, and that makes them hard to watch. And the rest of the music, though fitting at times, was pretty lackluster.
Azumanga Daioh truly is a strange show, filled with strange characters doing and saying some strange things, but somehow it works and is a comedy classic. It may not be one of my favorites (Kodocha beats the pants off of this) but definitely worth seeing and reccomendable to anyone looking for good comedy.
Escaflowne (26 Episodes)
Animation: ****
Story: ***
Music: ****
Overall: ***
Escaflowne has become a classic on its own. Now that we have shows like Glass Fleet and Aquarion coming out, using the name of Escaflowne as one if its selling tactics, Escaflowne is now the standard for fantasy/sci-fi epics. It's such a shame that it ends so horribly.
Now, don't get me wrong. There are a lot of things done right in this show. The Guymulefs are cool and the battles are very well done. Being a mecha fan, seing these massive suits of armor battling it out with massive swords is really sweet. There is also a lot of great atomsphere and a good sense of character depth. The music is also considred classic, this being one of Yoko Kanno's best works, and I agree that the tones really help set the epic mood this show needs.
However, I also feel that the story is a bit disjointed. We're suddenly flung here and there with seemingly little reason. The love triangle kind of takes a lot of the center stage, which is to draw in a female audience, but there are parts where I think it drags too much. And, of course, I have major issues about the ending where Hitomi and Van have to stay apart for absolutely no reason. Why can't Hitomi stay? Why does she go back? What kind of love is that?
Escaflowne definitely deserves its place in the anime hall-of-fame as one to look back on, but I guess it just quite isn't perfect. I haven't gotten to these newer titles yet, so maybe they'll work out al the kinks I didn't care for in this one.
Spiral (25 Episodes)
Animation: ***
Story: ****
Music: ****
Overal: ****
I'm just kind of throwing this in. I haven't watched it in a while, but it really has a special place in my heart. And now that the manga is being produced by Yen Press, I'm finally going to find out the answers that were left unresolved from the anime series.
Spiral is a very different kind of anime. It starts off a handful of mysteries, but as the secrets of the blade children are revealed, it becomes a kind of battle of wits, episode after episode. Maybe because it is so different (from standard DBZ, Naruto shonen style action) that I like it so much. The further you get into the series, the higher the stakes become.
However, when you finish the 25 episodes, there are a lot of unanswered questions. While there is some resolution and Kanone is, essentially, defeated, you still wonder what the deal is with the blade children and why they are cursed.
There are still a lot of highlights with the show. I personally like the music quite a bit, and the adventures are a lot of fun to watch. Also, Funimation really does great work with the dub, hitting all of the characters on the nose, giving Eyes a british accent and everything, is rather brilliant. Again, we have a southern accent for Kansai, but it's forgivable. And, as a side note, the DVDs have an outakes section that just kills me. Now, I've always been a fan of outakes, like from Toy Story and Jackie Chan movies, but anime dubbing outakes seem a little odd. However, they way they were presented for Spiral, I think, was brilliant. Instead of just showing the scene they're supposed to be dubbing, they made a bit of a montage, mixing up the lines with images and music.
Spiral is very recommendable as long as you can tolerate a bit of a cliffhanger ending. Everything from Hiyono's terrifying ability to get information to the interactions between the blade children, especially Rio and Kousuke, is very entertaining. It's good to see how something different can come out as something interesting.
My life has succeeding in making me busy, but I'm still going to watch anime and be a guide to what (I think) is good. Leave comments and lemme know what you think.
1.30.2008
Hi, I suck! Anime times 7
WOW! I haven't updated in forever!! Time to start over. I'm just going to start blitzing through a ton of stuff and try to not have massive reviews but rather focus on shorter and more to the point blurbs. Hopefully, this will make up for not being consistent. I'll try to do better.
If you want to know my opinion of Anime Banzai 2007, I was disappointed. It was small and none of the major liscencing companies had booths or anything. It kinda sucked. And don't even get me started on the cosplay battle thingy. That was bad. Then again, I was only there for about 4 hours. I need to get my own car.
For those who wish to know, I'm currently in the middle of Magic Knight Rayearth, Azumanga Daioh, School Rumble, and Escaflowne. Expect reviews for them shortly. Now, onto the mayhem!
Origin ~Spirits of the Past~
Animation: *****
Story: **
Music: ***
Overall: ***
When I saw trailers for this, I have to admit I was impressed. The animation looked good. And so I thought I'd check it out.
And let me tell you, the Animation really was sweet. Seeing Agito tearing through everything was pretty darn cool. Everything else in the show is straight eye candy, proof that Gonzo really is one of the best studios out there.
As for everything else, however, things become lackluster. While it was a very interesting world, I couldn't help but think that I'd seen this before. And then I realized that I had. The plot is very similar to that of Laputa: Castle in the Sky, and that kind of disappointed me. When the ending came, I thought that Shunack's death was a little dumb. The whole thing seemed barely held together and had an envirormentalist shtick thrown on top of it all, making it feel like a bit of a waste of time. IU also had a hard time with the characters and I didn't really care what happened to them in the end. It's a shame to see such great animation on such a let-down of a story.
The music seemed alright: the theme song was kind of catchy and helped set the tone of this green apocalyptic world. And Funimation's dub is spot on as usual.
I think it's worth seeing once, just to watch the animation, but there really isn't much else here that holds water.
Shaman King (64 Episodes)
Animation: ***
Story: ****
Music: ****
Overall: ****
As I had said last August, I was in the middle of this series and since then I had finished it. While there were some differences in story from the manga, it was still a lot of fun to watch. The animation was pretty standard for a Shonen Jump title, but it was story and the characters that had me hooked. I also liked a lot of the music. While it has the happy, Pop-style hits for the themes, the soundtrack also has some gems.
If there is one thing that I didn't like about the series, it would have to be the ending that isn't an ending. While I do understand that they needed make a new ending because they had caught up with the manga (which is also unfinished), it was a huge let down to see that everything was simply put on hold for a while instead of having anything of a decent ending.
In any case, I think the whole series is worth checking out. If you like straight forward action with goofy characters and situations, you can't go wrong with this. I think it faithfully brings out all of the elements from the original comic. I just wish Funimation would finish releasing the uncut english version.
If you want to know my opinion of Anime Banzai 2007, I was disappointed. It was small and none of the major liscencing companies had booths or anything. It kinda sucked. And don't even get me started on the cosplay battle thingy. That was bad. Then again, I was only there for about 4 hours. I need to get my own car.
For those who wish to know, I'm currently in the middle of Magic Knight Rayearth, Azumanga Daioh, School Rumble, and Escaflowne. Expect reviews for them shortly. Now, onto the mayhem!
Origin ~Spirits of the Past~
Animation: *****
Story: **
Music: ***
Overall: ***
When I saw trailers for this, I have to admit I was impressed. The animation looked good. And so I thought I'd check it out.
And let me tell you, the Animation really was sweet. Seeing Agito tearing through everything was pretty darn cool. Everything else in the show is straight eye candy, proof that Gonzo really is one of the best studios out there.
As for everything else, however, things become lackluster. While it was a very interesting world, I couldn't help but think that I'd seen this before. And then I realized that I had. The plot is very similar to that of Laputa: Castle in the Sky, and that kind of disappointed me. When the ending came, I thought that Shunack's death was a little dumb. The whole thing seemed barely held together and had an envirormentalist shtick thrown on top of it all, making it feel like a bit of a waste of time. IU also had a hard time with the characters and I didn't really care what happened to them in the end. It's a shame to see such great animation on such a let-down of a story.
The music seemed alright: the theme song was kind of catchy and helped set the tone of this green apocalyptic world. And Funimation's dub is spot on as usual.
I think it's worth seeing once, just to watch the animation, but there really isn't much else here that holds water.
Shaman King (64 Episodes)
Animation: ***
Story: ****
Music: ****
Overall: ****
As I had said last August, I was in the middle of this series and since then I had finished it. While there were some differences in story from the manga, it was still a lot of fun to watch. The animation was pretty standard for a Shonen Jump title, but it was story and the characters that had me hooked. I also liked a lot of the music. While it has the happy, Pop-style hits for the themes, the soundtrack also has some gems.
If there is one thing that I didn't like about the series, it would have to be the ending that isn't an ending. While I do understand that they needed make a new ending because they had caught up with the manga (which is also unfinished), it was a huge let down to see that everything was simply put on hold for a while instead of having anything of a decent ending.
In any case, I think the whole series is worth checking out. If you like straight forward action with goofy characters and situations, you can't go wrong with this. I think it faithfully brings out all of the elements from the original comic. I just wish Funimation would finish releasing the uncut english version.
Kino's Journey (13 Episodes)
Animation: ****
Story: ****
Music: ***
Overall: ***
I had a friend who recommend this to me as something really out there, something that makes you think. When I finally got around to watching it, it definitely left an impact.
To begin, the world really is fascinating and the animation does it justice. While it's not really an action series, they still do some really neat stuff. Every land Kino enters, there's a story involved with the local citizens and they're pretty fascinating.
However, it is those stories that really get under your skin. Many times, Kino runs into one kind of utopia or another that's completely jacked up. In one world, two warring nations decide to stop warring and release their aggressive tendencies upon a third, backward nation that really can't defend itself. And the last episode really drove me crazy. Here, there's a group of people who think it is their heritage to stay in a certain place despite the impending doom. To me, their heritage is being able to move on and survive at all costs. There really is a lot of social commentary in this show and it really forces you to ponder what you've seen.
When I was watching this, I had a hard time with Kino's non-involving personality. She just wanted to observe and then drive away with no attachments, and that kind of irked me, too. I ended up making a comparison to Jing: King of Bandits. You have hero that wanders at random from place to place, but Jing is the complete opposite, getting completely involved with the local circumstances to the point that sometimes he's three times over his head. I guess I prefer heroes and not observers. Then again, Jing is an action series and Kino is not. Kino is contemplative and asks for criticism, in a sense.
The Melancholy of Haruhi Suzumiya (14 Episodes)
Animation: *****
Story: ****
Music: ***
Overall: ***
The new cult classic. Haruhi was hyped as the new weird thing since FLCL, at least that's how I felt the fandom came across to me. So, in the past months, I checked the whole thing out.
At first, I was hooked. There was a really weird plot that started with this girl and grew to time travellers, espers, and aliens. I figured this was going to be pretty cool and the animation was really good, too. However, as I kept watching, I slowly realized that I was watching a sitcom. I really bizarre and freaked out sitcom, but a sitcom nevertheless. The whole concept of trying to keep things the way they are was the real kicker for me.
The music was alright and while the whole dance sequence is now immensely popular, I couldn't see it as more than nifty.
All in all, it's a comedy with some really awesome animation and twisted premise. I do think it is worth seeing, mostly for Kyon's commentary on everything, because it really is a crack up, but it just doesn't hook with me as awesome.
Negmia! (26 Episodes)
Animation: ***
Story: **
Music: **
Overall: **
Another slightly bizarre comedy from the sick mind of Ken Akamatsu, Negima!, as far as I'm concerned, fails to satisfy in a lot of ways. While Funimation should be credited for trying to do a show with such a massive cast, they really couldn't help the story.
The manga itself is awkward, thanks to Akamatsu prolific use of fan service, but the anime somehow makes it seem even more awkward. To the credit of the comic, it really does pick up on the action and tells some pretty intense tales, the anime fails completely in this category. The whole Kyoto arc was slaughtered and my knowledge of the manga was the only thing that helped me get through it with any sanity. While the final arc to round out the series was a great attempt, it was a stupid idea in the end. But trying to make Negima into anime must have been a challenge in and of itself.
In any case, I would recommend staying away from this one. There are far better romantic comedies or action series that you could watch.
Trigun (26 episodes)
Animation: ****
Story: ****
Music: ****
Overall: ****
Trigun is an anime classic for American fandom. When I watched it through for my first time I actually had a hard time with it because I was familiar with the manga and found all of the differences. However, after a second time through, I was able to better appreciate it as its own story.
What can be said that already hasn't been said already. The story is a lot of fun and then it gets really intense in such a good way. The music is spot on for a sci-fi western and Madhouse really makes a show with the animation. The gun play is great, the characters are instantly memorable (I love Legato's entrance!), and everything is just spot on.
I recommend this to anyone. I know that it is now quite a bit dated, but quality is quality and Trigun really sets quite a standard to follow. Now I just need to watch Trinity Blood.
Well, that should be good for now. I think from now on, I'm going to try and tackle quite a list and do it regularly. I doubt each will be this big, but I'm going to try make it interesting every week. That is, if college will let me breathe. It's been very intense lately. Nevertheless, I'm going to keep charging on, watching more and more anime and letting you people know about it. If you have anything to say, please leave comments. I'd like to know what you think of my reviews.
Also, I anticipate a site re-design soon. I'm tired of this starter template that I have.
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